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    "title": "Bisexual (Mis)representation in Mickey 17",
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                "mode": "normal",
                "text": "Bisexuality is real, and it is beautiful. The fact it still has to be said in 2025 is a hard pill to swallow, but with how bisexuality has been represented in some recent media, unfortunately it still needs reiterating.",
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                "text": "After watching the trailer for Mickey 17, I was very excited to finally see it in cinema back in March of this year. However, despite thoroughly enjoying the film as a whole (yay environmental messages in media!), parts still left a bad taste in my mouth, not unlike Ylfa’s (Sam Taylor-Johnson) concoctions.",
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                "text": "One of the characters, Kai (Anamaria Vartolomei), has her bisexuality subtly established throughout the film. While this should be a good thing, because big confessional conversations are not always needed because queerness is natural, she quickly became my least favourite character in the film.",
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                "mode": "normal",
                "text": "SPOLIER ALERT! Following the brutal death of her girlfriend, Jennifer, Kai is shown to have one tearful outburst before she wipes her eyes and immediately sets her sights on the eponymous Mickey (Robert Pattinson).",
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                "text": "She tries to blackmail Mickey’s girlfriend, Nasha (Naomi Ackie), into sharing him with her, but thankfully Nasha responds, naturally, by threatening Kai’s life. No worries for Kai, though: as soon as this avenue is thwarted, she quickly moves on with someone else, having a new partner by the end of the film – yay endless options of bisexuality, I guess?",
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                "text": "As an out-and-proud bisexual woman myself, I found this representation extremely distasteful. Not only does it perpetuate the sleazy, noncommittal stereotype of bisexuals, but it also more generally just has absolutely no bearing on the film. With or without Kai, the plot would be exactly the same – and, I hate to say it, I would have liked it more without the forced (mis)representation.",
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                "text": "When will producers get it right? Well, some of them already have. Killing Eve, Game of Thrones, and Jane the Virgin are just a few great examples of how to integrate queerness into your story without having to stereotypes or having to force a place in the plot for it.",
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                "mode": "normal",
                "text": "Maybe, then, it’s just lazy writing, or a lack of queer presence in the writer’s room to tell the others ‘Hey, we actually love the same as everyone else, and just because we quote-unquote have more options doesn’t mean we love our partners less or less sincerely’. In fact, the bisexuals I know are some of the most loving and devoted partners; it’s about time media started reflecting that.",
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                {
                  "mode": "normal",
                  "text": "what is this domain about",
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